JOHN MILLER


Exhibitions  

1980-1985

1986-1989

1990-1995

1996-1999

2000-2005

2006-2009

2010-2015

2016-Present



Essays
Publications
Collaborations

Bio/Bibliography
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© 2005-2016

Born 1954, Cleveland, Ohio, lives and works in New York City and Berlin. attended Rhode Island School of Design, Providence, Rhode Island, 1977, BFA; Whitney Museum of American Art Independent Study Program, New York, 1978; California Institute of the Arts, Valencia, California, 1979, MFA



Solo Exhibitions | Group Exhibitions | Periodicals | Catalogs

 

(English language)

Aams, Brooks. "Report from Lyon: Time after Time,". Art in America, No. 2 , February 2006: 57-63.

Archick, Kristin. "'18. Oktober 1977' is still timely". The Tufts Daily , January 25, 1991, pp. 5, 11.

Avgikos, Jan. "John Miller: Metro Pictures". Artforum , Vol. 42, No. 10, Summer 2004: 245. (ill.)

Baitz, Jon Robin. "Painting: Urban Recollections". L.A. Reader , June 15, 1984, p. 6. (ill.)

Balestin, Julianna. "John Miller at Metro Pictures, New York," Purple Diary, January 29, 2012: http://purple.fr/diary/entry/john-miller-at-metro-pictures-new-york/article (accessed January 31, 2012) (ill.)

Bankowsky, Jack. "John Miller at Metro Pictures". East Village Eye , June 1984, p. 21.

Bankowsky, Jack. "Summer Show at Metro Pictures". East Village Eye , September 1984, p. __.

Bannon, anthony. "Curator Ends Term With Variety". Buffalo Evening News , September 29, 1983, p. 144.

Beckenstein, Joyce. "LAT. 41° 7' N., LONG. 72° 19' W, Martos Gallery," Sculpture, March 2014, pp. 76-77.

Beer, Jonathan. "An Interview: John Miller on 'Suburban Past Times' at Metro Pictures through March 9, 2012". Art Observed, March 8, 2012: http://artobserved.com/2012/03/ao-interview-john-miller-on-suburban-past-times-at-metro-pictures-through-march-9-2012/ (accessed March 11, 2012).

Berardini, Andrew. "John Miller’s ‘New Realities’." Art Agenda, http://www.art-agenda.com/reviews/john- miller%E2%80%99s-%E2%80%9Cmaterial-realities%E2%80%9D/ (accessed May 23, 2012). (ill.)

Bergen, Phillip. "John Miller". Artweek , April 18, 1991, p. 14.

Bovier, Lionel and Cherix, Christophe.  "John Miller: 19-29 novembre, par e-mail, New York - Genève". Documents sur l'art , No.  10,  Winter 96/97: 118-122.  (ill.)

Bovier, Lionel. "John Miller". Parkett , No. 57, December 1999, pp. 162-172. (ill.)

Boyd, Seren. "Homes for the Soul". Metro Life (January 17, 2001). (ill.)

Braithwaite, Hunter. "Newsmakers: John Miller," Modern Painters (February 13, 2016), http://www.blouinartinfo.com/news/story/1323331/newsmaker-john-miller (accessed February 16, 2016). (ill.)

Braithwaite, Hunter. "Miller's Crossing," Ocean Drive, No. 2, February 2016: 112. (ill.)

Brooks, Liz. "Vile Bodies". Artscribe , No. 88, September, 1991: 144.

Burnham, Scott G. "Resistance, Rebellion and Death". The Daily Press , January 24, 1991, p. __. (ill.)

Calabrese, Nickolas. "John Miller, 'Suburban Past Time' at Metro Pictures," This Is Tomorrow, Contemporary Art Magazine http://www.thisistomorrow.info/viewarticle.aspx?artId=1214 (accessed April 19, 2012). (ill.)

Cembalest, Robin. "Much Ado About 'Doodoo'". Art News, September, 1993, p. 27.

Chaillou, Timothée. "Empire State – New York Art Now." Flash Art 7 March 2014. Web (http://flashartonline.com/interno.php?pagina=onweb_det&id_art=1268&det=ok&articolo=Em pire-State---New-York-Art-Now)

Chaillou, Timothée. "The Podium and the Plinth", trans. Paul Foss, ArtUS, No. 32, 2011-2012, pp. 60-67. (ill.)

Christensen, Judith. "'Tableaux' exhibition examines the concerns of society". The San Diego Union , October 18, 1988, p. __.

Christov-Bakargiev, Carolyn. "Avant 1989". Flash Art, No. 145 (March-April, 1989): 124.

Cooper, Dennis. "John Miller: Metro Pictures". Artforum, No. 10 (June 1988): 139. (ill.)

Corris, Michael. "Para-Cities & Paradigms". Art Monthly, No. 244 (March, 2001): pp. 12-13. (ill.)

Cotter, Holland. "Also of Note". New York Times, March 24, 1995: p. C27.

Cotter, Holland. "A Show that Could Travel In Just a Carry-On Bag". New York Times , Arts & Leisure, December 14, 1994: pp. 44-5.

Cotter, Holland. "The Empire Strikes Back".  The New York Times, Arts & Leisure, April 19, 2002: p. E36.

Curtis, Cathy. Los Angeles Times . April 4, 1991, p. F8.

Dawson, Jessica. "Double Vision: Painter John Miller is in two places at once." The Village Voice, Vol. LX, No. 3, January 21-27, 2015: 17. (ill.)

Decter, Joshua. Arts (December 1989): 99-100. (ill.)

Diederichsen, Diedrich. "a Fan's Notes: Diedrich Diederichsen on Mike Kelley's Writings." Artforum , Vol. XLI, No. 5 (January 2003): 33-34. (ill.)

Denson, G. Roger. "Wasting It: John Miller and Andre Serrano's 'Bad Boy' Sublimations". Contemporanea, No. 22 (November, 1991): 36-40. (ill.)

Dersin, Julian. "The Shit Reference," 241 , No. 1 (Summer 1992): 4-6; reprinted in French in Documents , No. 1.

Doran, Anne. "John Miller," Art in America (March 30, 2012) (ill.): http://www.artinamericamagazine.com/reviews/john-miller/ (accessed April 16, 2012).

Drohojowska, Hunter, L.a. Weekly , July 20-26, 1982, p. 39. (ill.)

Drohojowska, Hunter. "John Miller at the Rosamund Felsen Gallery". L.A. Weekly , June 22-28, 1984, p. 39. (ill.)

Dunham, Caroll. "Artists Curate: Road Food," Artforum, Vol. XLI, No. 2 (October 2002), p. 135 (ill.)

Evans, Steven and Michael Jenkins. "John Miller, Gary Mirabelle and Lawrence Weiner: American Fine Arts Co.". Artscribe , No. 79 (January/February 1990): 81. (ill.)

Ferguson, Bruce, interview with Robert Storr.  "The Accidental Curator". Artforum , Vol. 33, No. 2 (October 1994): 79.

Flores, Jr., Angel. "John Miller: Kunsthalle Zurich," Multiply, September 9, 2011: http://angelfloresjr.multiply.com/journal/item/3009, (ill.) (accessed January 8, 2013).

Foster, Hal with Yve-alain Bois, Benjamin Buchloh, Dennis Hollier, Rosalind Krauss and Helen

Foster, Howard. "John Miller at Metro Pictures," Romanov Grave (February 24, 2010), www.romanovgrave.com/ reviews/john-miller-at-metro-pictures (ill.) (accessed February 11, 2012).

Frank, Peter. "Haiku Reviews: Peter Frank, February 6, 2013," Huffpost Arts & Culture, The Huffington Post, http://www.meliksetianbriggs.com/attachment/en/5488a59707a72cdd3762d921/Press/5520884eefdb50650203bdcc (ill.)

Molesworth, "The Politics of the Signifier II: a Converstion on the Informe and the Abject," October , No. 67 (Winter 1994): pp. 3-21. (ill.)

Foster, Hal.  "Obscene, Abject, Traumatic," October , No.  78 (Fall 1996): p.  119.

Fried, Laura. "Expanding Criticality: Laura Fried on 'Take It or Leave It,'" Los Angeles Review of Books (May 16, 2014), https://lareviewofbooks.org/review/expanding-criticality (accessed May 21, 2014).

Ganahl, Rainer.  "Public Art: One-Ways and Others in Public Space".  Zing Magazine (Winter/Spring 1996): pp.  37-73.  (ill.)

Gardner, Colin. "Critic's Choice: New Paintings by John Miller". L.A. Reader , November 1, 1985, p. 10. (ill.)

Gardner, Colin. "John Miller". Flash Art , No. 125 (December/January 1985): 46. (ill.)

Gillick, Liam. "John Miller," Bomb, No. 118 (Winter 2012): 48-55. (ill.)

Gillick, Liam. "Horse's Mouth". Bookforum , Volume 8, Issue 1 (Spring 2001): 17.

Gillick, Liam. "Do Ammonia Gas Frozen Fries Go With That Shake?" Art Monthly , No. 249 (September 2001): 56.

Ginsberg, Merle. "This Week: No Dogs Allowed". Soho Weekly News , May 20, 1981, p. 29.

Glueck, Grace.  The New York Times , March 2, 1984, p. C20.

Goyanes, Rob. "John Miller at Miami's ICA," Alphasixty, February 16, 2016: http://blog.sixtyhotels.com/john-miller-at-miamis-ica/ (ill.) (accessed February 29, 2016).

Griffin, Jonathan. "Standard Operating Procedures at Blum + Poe, Los Angeles," Art Agenda, September 4, 20012, http://www.art-agenda.com/reviews/standard-operating-procedures/ (ill.). (accessed September 5, 2012).

Griffin, Jonathan. "Take It or Leave It," Art in America, April 1, 2014, http://www.artinamericamagazine.com/reviews/take-it-or-leave-it/ (accessed May 21, 2014).

Grimes, William. "House Votes a Cut in Money for Arts".  The New York Times , July 17, 1993, pp. 9, 14.

Hain, Christian. "Apples'n'Frogs: New York Art at Thaddaeus Ropac Gallery." Art Life Magazine 21 January 2014. Web (http://artlifemagazine.com/art-exhibitions/empire-statenew-york-art-ropac- paris.htm#.Uxmvk15xCHn)

Hainley, Bruce. "Fecal Matters," Artforum (Summer 2001): 42. (ill.)

Halle, Howard. "Winter's Top 20 Art exhibitions," Time Out, December 14, 2011: http://newyork.timeout.com/arts-culture/art/2343991/winter%E2%80%99s-top-20-art-exhibitions (ill.), (accessed January 31, 2012).

Halle, Howard.  "Four on the Floor".   Time Out, April 17-24, 1997, No.  82, p.  41.

Halle, Howard.  "John Miller, The New Honeymooners".   Time Out, January 3-9, 2008, No.   640, p.  68. (ill.).

Halle, Howard. "John Miller, Opposite Day". Time Out , No. 226, January 20-27, 2000, p. 87. (ill.)

Hambleton, Meryl. "Meryl Hambleton Interviews John Miller". The Eye, the Columbia Spectator, December 6, 2007.

Hixson, Kathryn. "John Miller: Not Just another Teenager Defecating on Tradition". Flash Art , No. 166(September/October 1992): 92.

Hoffberg, Judith. Umbrella , (March, 1981).

Iannaccone, Carmine. "John Miller at Richard Telles". Art Issues, No. 43 (Summer 1996): 44. (ill.)

Indiana, Gary. "Soho Sketches". Village Voice, April 22, 1986, p. 93.

Jeppesen, Travis. "John Miller @ Museum Ludwig, Cologne," White Hot Magazine (June 2011) (ill.): http://whitehotmagazine.com/articles/john-miller-museum-ludwig-cologne/2313 (accessed March 29, 2012)

Jevans, Rich. "Preview: Homes for the Soul". The Leeds Guide (January 2001). (ill.)

Johnson, Ken. "John Miller at Metro Pictures".  Art in America , No. 2 (February 1990): 149. (ill.)

Johnson, Ken. "Generational Saga".  Art in America , No. 6 (June 1991): 44-51. (ill.)

Johnson, Ken. "John Miller". The New York Times , January 7, 2000, p. E43.

Johnson, Ken. "Roxy Paine". The New York Times , January 27, 2006, p. E33.

Johnson, Ken. “Every Revolution is a Roll of the Dice”. The New York Times, January 30, 2009, p. C31.

Kandel, Susan. "John Miller at Roy Boyd". Art Issues, 1991: 29. (ill.)

Kandel, Susan. "a Spectacular Brown Colors the Message," Los Angeles Times , February 18, 1994, p. F19.

Kaplan, Steven. "John Miller, but the flesh is weak, Metro Pictures". Etc. Montreal (Spring 1991): 56-68. (ill.)

Kazakina, Katya. "Magic Light at Zwirner, Suburban Time, Dubuffet: Chelsea Art," Bloomberg.com, www.bloomberg.com/news/2012-02-01/ magic-light-at-zwirner-suburban-time-dubuffet-chelsea-art.html (ill.) (accessed February 11, 2012).

Keegan, Matt. "Top Ten," Artforum , Vol. XLIV, No. 6 (February 2006): 98.

Keegan, Matt. “Public Image Limited,” Artforum, Vol. XLVII, No. 5 (January 2010): 156-163. (ill.)

Kelley, Mike. "Foul Perfection: Thoughts on Caricature," Artforum , No. 5 (January 1989): 92-99. (ill.)

Kendrick, Neil. "Art Against Entropy". The Daily aztec, October 5, 1988, p. 1, 8.

Knight, Christopher. "Focusing on the hidden meaning of 'Untitled' works". Los Angeles Herald Examiner, February 7, 1988, p. E2.

Knight, Christopher. "The Pathetic Esthetic: Making Do With What Is". Los Angeles Times , August 14, 1990, p. F8.

Knight, Christopher. "When ordinary becomes intriguing." Los Angeles Times , April 16, 2004, p. E32.

Koether, Jutta. "John Miller: Metro Pictures". Artforum, No. 2 (October 1992): 119. (ill.)

Koether, Jutta. "Good and Ugly". Artforum , Vol. 36, No. 6 (February 1998): 27.

Kuspit, Donald. "John Miller at Metro Pictures". Artscribe International No. 58 (June-July 1986): 78-79. (ill.)

Kuspit, Donald. "The Modern Fetish". Artforum, No. 2 (October 1988): 132-140. (ill.)

Laluyan, Oscar. "The Suburbs According to John Miller." Artefuse New York, January 20, 2012: http://artefuse.com/2012/01/the-suburbs-according-to-john-miller/ (accessed February 16, 2012).

Latimer, Quinn. "In Other Words," Frieze Blog, September 8, 2009: http://blog.frieze.com/in_other_words/ (ill.) (accessed January 8, 2013).

Levin, Kim. "Choices". Village Voice, March 13, 1984, p. 62.

Levin, Kim. "Choices". Village Voice, September 19, 1989, p. 108.

Levin, Kim. "Choices". Village Voice, May 11, 1993, p. 75.

Levin, Kim. "The Joy of Curating". Village Voice, February 22, 1995, p. 78.

Levin, Kim. "Choices". Village Voice, March 21, 1995, p. 8.

Levin, Kim. "Choices". Village Voice, February 9, 1999, p. 85.

Levin, Kim. "Choices". Village Voice , January 15, 2002, p. 84.

Levin, Kim. "Choices." Village Voice , April 9, 2002, p. 74.

Levin, Kim. "Shortlist." Village Voice , April 14, 2004, p. 59.

Lewis, James. "John Miller: Metro Pictures". Artforum, No. 6 (February 1991): 124. (ill.)

Liss, Andrea. "Confronting Modern Art History: the Analytical Paintings of John Miller". Artweek , November 9, 1985, p. 5. (ill.)

Liu, Catherine. "Just Pathetic at American Fine Arts". Artforum , No. 8 (April 1992): 95-96.

Lunn, Felicity. “John Miller: Kunsthalle Zurich”. Frieze (January, 2010): 124. (ill.)

Mahoney, Robert. "John Miller". Arts , No. 1 (February, 1991): 98. (ill.)

Marshall, Piper. "John Miller: Metro Pictures," Artforum (February 2012), Critics' Picks: http://Artforum.com/picks/section=nyc (accessed February 20, 2012) (ill.).

Masheck, Joseph. "Judy Rifka and 'Postmodernism' in Architecture". Art in America , No. 11 (December, 1984): 148-163. (ill.)

McCoy, Pat. "(of ever ever land i speak". Artscribe, No. 67 (January/February): 73-74.

Messler, Norbert. "Jennifer Bolande, John Miller: Sophia Ungers". Artscribe No. 75 (May 1989): 89. (ill.)

Moon, Kavior. "John Miller: Richard Telles Fine Art," Artforum, Vol. 55, No. 1 (September 2016): 368. (ill.)

Morgan, Robert. "anti-Style, or the Installation as a Pleasurable Text". Arts Magazine (June 1988): 45-48. (ill.)

Morgan, Robert. "The Whitney Bienniale and Other Delights". Cover , May 1995: p. 57.

Morrissey, Siobhan, "At ICA Miami, artist John Miller looks at life with double vision," The Miami Herald, May 5, 2016: http://www.miamiherald.com/entertainment/visual-arts/article75635527.html (accessed May 7, 2016). (ill.)

Muchnic, Suzanne. "John Miller: Meliksetian Briggs, Los Angeles, October 25 - December 20," Art News (February 2015): 90. (ill.)

Nesbitt, Lois. "Cologne, Germany". Sculpture (January/February, 1993): 18-19.

Nickas, Robert. "John Miller: Shit Happens." Flash Art , Vol. 26, No. 173 (November/December 1993): pp. 94-5. (ill.)

Nickas, Robert. "Portfolio: John Miller." Artforum , Vol. XLII, No. 8 (April 2004): 132-7. (ill.)

O'Neill, Paul. "Men in Black." Art Monthly , No. 285 (April 2004): pp. 35-6.

Paseles, Chris. "John Miller's Art: Studying the Mental Process," Calarts Today , Vol. 4, No. 6 (February 1979): centerfold.

Pincus, Robert L. "Three Artists in Drawing Exhibit". Los Angeles Times , August 10, 1982, p. 6.

Price, Joyce. "Art Turns Heads, Stomachs: 'Repulsive' show revives NEA flap". Washington Times , July 6, 1993, pp. a-1, a-6.

Rabinowitz, Cay-Sophie. "John Miller: Confronting Kitsch," Sculpture (July/August, 1999): pp. 12-13. (ill.)

Reissman, David. "John Miller: Mary Boone Gallery & Metro Pictures". Frieze (February 16, 2015): http://www.frieze.com/issue/print_back/john-miller/ (accessed April 8, 2015). (ill.)

Reissman, David. "John Miller: Metro Pictures". Artscribe, No. 86 (April 1991): 69. (ill.)

Reissman, David. "The Other Side". Tema Celeste , No. 39 (Winter 1993): 72. (ill.)

Reissman, David. "John Miller: The Middle of the Day". Texte zur Kunst , Vol. 5, No. 18: pp. 177-9. (ill.)

Rian, Jeff. "John Miller at American Fine Arts". Art in America, No. 5 (May 1988): 186-187. (ill.)

Rian, Jeff. "Staying in the Game: Jim Isermann, Mike Kelley, John Miller," Flash Art , Vol. 32, No. 211

(March-April, 2000): 82-83. (ill.)

Rosenberg, Karen. "Wry to Whimsical, a Summer Eden for Improvisers," The New York Times, July 19, 2013, p. C27. (ill.)

Rosenberg, Karen. "Art Fair: Business Over Activism," The New York Times, December 2, 2011, p. C1.

Rosenberg, Karen. "John Miller: Suburban Past Time," The New York Times, February 17, 2012, p. C27. (ill.)

Rostovsky, Peter. Untitled, New York.sidewalk.com .

Russell, John, "Sculpture," The New York Times, October 22, 1982, p. C20.

Sabbaghzadeh, Darius. "John Miller: Richard Telles, Los Angeles," Flash Art (June, July, August, 2016): 134. (ill.)

Saltz, Jerry. "The I-Don't-Get-It Aesthetic: Coming to Terms with Art That Won't Let Us In," The Village Voice , January 25, 2000, Vol. XLIV, No. 3, p. 57. (ill.

Schjeldahl, Peter. "Shit and Fan," The Village Voice, December 11, 1990, p. 103. (ill.)

Schwendener, Martha. "Proof that Things are People Too (Well Almost)", The New York Times, , May 18, 2007, p. E29. (ill.)

Simmons, William J. "Auto-Tuned Commentary: John Miller's 'Here in the Real World,'" Modern Painters, February 8, 2015, http://www.blouinartinfo.com/news/story/1085202/auto-tuned-commentary-john-millers-here-in-the-real-world, (ill.) (accessed February 10, 2015).

Slonim, Jeffrey. "In With the Out Crowd," Artforum, Vol. 33, No. 7 (March 1995): 13.

Slyce, John. "John Miller: Parallel Economies," Flash Art, No. 209 (November-December 1999): 125. (ill.)

Smith, Roberta. "Screen," The New York Times , February 2, 1996, p. C26.

Smith, Roberta. "From the Observatory". The New York Times, April 12, 2002, p. E36.

Smith, Roberta. "Talk to the Land," The New York Times, November 11, 2005, p. E36.

Spector, Nancy. "Smart Art". Contemporanea , No. 4 (June 1989): 94-97. (ill.)

Spector, Nancy and Steven Evans. "Doppel Angst/Double Fear". Parkett , No. 22 (December 1989): 129-135.

Spino, Marco. "I.C.A. Hosts Two Eclectic Exhibits". The Justice , Brandeis University, January 28, 1991, p. __.

Stange, Raimar. "For the Belly Dancer: Richard Hoeck," Spike Art Quarterly , No. 3 (Spring 2005): 73-78. (ill.)

Stapen, Nancy. "Mellow 'Currents' May Be ICA's Last". Boston Globe , January 24, 1991, p. 57, 62.

Tracy, Liz. "John Miller's 'I Stand, I Fall' at ICA Leaves No Philosophical or Visual Stone Unturned," Miami New Times, February 24, 2016. (ill.): http://www.miaminewtimes.com/arts/john-millers-i-stand-i-fall-at-ica-leaves-no-philosophical-or-visual-stone-unturned-8263269 (accessed February 25, 2016).

Tschida, Anne. "ICA Miami Finds Its Footing," Biscayne Times, March 6, 2016. (ill.): http://www.biscaynetimes.com/index.php?option=com_content&view=article&id=2339:ica-miami-finds-its-footing&catid=38:art-a-culture&Itemid=201 (accessed March 5, 2016).

Van Stratten, Laura. "Artist John Miller Debuts New Reality-Show Inspired Collection," The Hollywood Reporter, http://www.hollywoodreporter.com/news/artist-john-miller-debuts-new-763126 (accessed January 15, 2015).

Wagley, Catherine. "5 Artsy Things to Do in L.A. This Week: Can Witchcraft Be About Self-Realization?" L.A. Weekly, November 5, 2014: http://www.laweekly.com/publicspectacle/2014/11/05/5-artsy-things-to-do-in-la-this-week-can-witchcraft-be-about-self-realization (accessed November 7, 1014).

Ward, Frazer. "Abject Lessons." Art and Text, 1994. (ill.)

Williams, Christopher. "John Miller: Through Space and Time." Interview, February 23, 2016. (ill.): http://www.interviewmagazine.com/art/john-miller (accessed February 25, 2016).

Wilson, Michael. "John Miller: Suburban Past Time." Time Out New York, February 16-22, 2012: 33. (ill.)

Wilson, Michael. “Previews: John Miller, Kunsthalle Zurich.” Artforum, Vol. XLVIII, No. 1 (September  2009): p. 148.

Wilson, William. Los Angeles Times, June 8, 1984, p. 6.

Young, Rachel, "East Marion family's home serves as exhibit backdrop," The Suffolk Times, August 18, 2013. (ill.)

Zellen, Jody.  "John Miller," Art and Text , 1994. (ill.)

Zhong, Fan. "When: December 1st," W Magazine, December 2011: 120. (ill 2012

_____. "Group Show at wellwellwell," Contemporary Art Daily, February 28, 2016, http://www.contemporaryartdaily.com/2016/02/group-show-at-wellwellwell-2/ (ill.) (accessed March 1, 2016)

_____. "Scroll Contributor: John Miller," Paddle 8 Blog, June 12, 2012: www.paddle8.com/blog/2012/06/12/ scroll-contributor-john-miller/ (accessed June 16, 2012)

_____. "John Miller," The New Yorker (March 5, 2012): 12.

_____. "John Miller," The New Yorker (October 16, 2006): p. 35.

_____. "John Miller," The New Yorker (October 28, 1991).

_____. "John Miller, Dominik Sittig at Nagel Draxler," Contemporary Art Writing Daily, September 29, 2015, http://www.artwritingdaily.com/2015/09/john-miller-dominik-sittig-at-nagel.html (accessed October 13, 2015)

_____. Now Time , No. 1 (1992): 12-13.

_____. Real Life Magazine , No. 20: 9. (ill.)

_____.  M/E/A/N/I/N/G , Nos.  19 & 20 (May 1996), p.  73. ( ill.)

_____.  Grand Street , No. 69:  84. (ill.)

_____. "John Miller," The New Yorker (January 24, 2000): p. 14.

_____. "John Miler/Pae White/Fred Wilson," The New Yorker (January 14, 2002): p. 17.

_____. "Galerie Barbara Weiss, Berline, John Miller, "'The Middle of the Day'";. Zoom, Vision Germany (2005).

 

 

(German language)

Aufferman, Verena. "Dokumente einer uberdrehten Realitat". Frankfurter Rundschau , No. 132, June 11, 1993, p. 10. (ill.)

Avgikos, Jan. "Sommer in New York." Texte zur Kunst , Jahrgang 8, Heft 31: 183-186.

Babias, Marius. "Skatologische Wunderkammer". Die Tageszeitung , July 16, 1994, p. 25.

Babias, Marius. "Blumenkinder -- Die Konstruktion des Wirklichen: Fotos von Aura Rosenberg und John Miller". Zitty Stadtzeitung, No. 16, August 4-17, 1994, p. 54. (ill.)

Babias, Marius. trans.  Barbara Jung.  "Das rebellischste, was wir je gemacht haben, war abends rumzulaufen und die Kuelerverzierungen von Luxuslimousines Abzureissen".  Kunst-Bulletin , No.  5,  May 1996, pp. 10-15.  (ill.); abridged as "Jeder kann es," Zitty Illustrierte Stadtzeitung , No.  13, June 20 - July 3, pp.  68-70.  (ill.); excerpted as "Heil Hitler!  Have a Nice Day!," Jungle World, No.  5, January 29, pp.  15-18 (ill.).

Bals, Ulrike. "Der Mensch hat Dreck Am Stecken". Die Tageszeitung, December 1999. (ill.)

Balthaus, Fritz. "Das Asthetische Feld". Arte Factum (December 1992 - February 1993): pp. 21-24.

Beeson, Jon. "Sent by Mail". Kunst-Blog.com (February 1, 2011) (ill.)

Behr, Martin.  "Vom Western bis in den Osten".  Salzburger Nachrichten, Kultur , p. 15.

Behrens, Katja. "Star der New Yorker Szene". Kolner Stadt Anzeiger , June 23, 1992, p. __. (ill.)

Berg, Henning. "Metropolenalltag: Schappschüsse von John Miller". Berliner Morgenpost , July 28, 2005, p. 20. (ill.)

Berg, Ronald. "Am Ende lockt doch immer nur der Gewinn". Der Tagesspiegel , No. 16,775, August 7, 1999, p. 28. (ill.)

Blomberg, Katja. "Von uberraschenden ausmassen". Aachener Volkszeitung , December 12, 1994.

Bohm, Andrea. "Schmutz, Schund, Kunst". der Tageszeitung, Kultur, August 21, 1993, p. 15.

Büsing, Nicole & Klaas, Heiko. "Plünderung der Kunstgeschichte". Kieler Nachrichten , December 8, 1999. (ill.)

Büsing, Nicole & Klaas, Heiko. "Sarkastischer Abgesang: Hamburg zeigt John Millers 'Parallel Economies'". Neue Osnabrücker Zeitung , January 5, 2000.

Brügeller, Moni. "Die Kunst geht über die Klippen," Kronen Zeitung, Kultur, January 16, 2016, p. 57. (ill.)

Clewing, Ulrich.  "Kreuzberger Naechte sind lang".  Zitty Stadtzeitung , Vol.  19, No. 12: 84.

Conrads, Martin. "Bilder des Mülleniums". Zitty Stadtzeitung, Vol. 22, No. 16: 56-57. (ill.)

Czoppan, Gabbi. "Professionelle Besessenheit". Focus , No. 49, December 12, 1994, pp. 134-137. (ill.)

David, Thomas.  "Praparierte Nattern," Szene , January 1995. (ill.)

Dusini, Matthias. "Hallo, Dienstman". Falter , No. 20/05, 20-25 Mai, 2005: pp. 68-9. (ill.)

Ertl, Barbara.  "Mythos der Prärie". _____, Kultur , April 5, 1998, p.  21. (ill.)

Fleck, Robert. "Spielholle: Asthetik und Gewalt," Rogue, No. 17: 17-32. (ill.)

Forstbauer, Nikolai B. "Modell-Veranderungen". Suddeutsche Zeitung . (ill.)

Fricke, Harald.  "Jenseits von Gut und Bose: John Miller bei Bruno Brummet (sic) Fine Arts und in der DAAD-Galerie".  Die Tageszeitung,April 23, 1992, p. 27. (ill.)

Fricke, Harald. "Mal was Anderes im Kunstlerhaus Bethanien". Die Tageszeitung , August 21, 1993, p. 36.

Fricke, Harald. "Freunde finden: Kommunikabel: 'temporary translations(s)', die Sammlung Schürmann in Hamburgs Deichtorhallen".  Die Tageszeitung , December 13, 1994, pp. 17-18. (ill.)

Fricke, Harald. "Kleine Krieger: Kunst in Berlin jetz: Miller, Metzel, Rheinsberg, Rohloff," Wand und Boden, Kultur, Tageszeitung Berlin , June 3-4, 1995: p. 28.

Fricke, Harald.  "Dickenbilder in 3D: Kunst in Berlin jetzt: Matthias Kühnels, 'Photographie?'  'HolographicNetwork,' John Miller".  Wand und Boden, Die Tageszeitung , August 31-September 1, 1996, p.  38.

Friedli, Isabel. “John Miller”. Kunstbulletin, November 2009: 66-67. (ill.)

Frommeyer, Marlis. "Gegenwartskunst auf dem Prufstand". Lubecker Nachrichten , December 13, 1994. (ill.)

G.D. "Frankenstein in den Deichtorhallen". Bild Hamburg, December 10, 1994. (ill.)

Germer, Stefan. "Vorsicht, Frisch Gestrichen.  Thesen zu älteren und Neueren Medien," Texte zur Kunst, Jahrgang 8, Heft 31: 60-65. (ill.)

Graw, Isabelle. "Kunstkritiker Als Kunstler: Thomas Lawson, John Miller, Ronald Jones". Artis (April 1989): 50-53. (ill.)

Graw, Isabelle. "Das Braun des Himmels". Die Tageszeitung August 31, 1999: 15. (ill.)

Haase, Amine. "Von Zwergen und Künstlern: Noch immer sucht Berlins Kunstmesse ihren Weg – Ein Platz für die Jungen," Kölner Stadt-Anzeiger , October 1, 1999.

Hafner, Hans-Jürgen. "Reizende Renitenz," Artnet, November 7, 2005:            http://www.Artnet.de/magazine/kommentar/hafner/hafner11-07-05.asp.

Hafner, Hans-Jürgen. “Die Kolik des Goldesels”. Artnet, September 15, 2009. (ill.)

Hamacher, Stephan. "Wege voller Stolpersteine". Bergdorfer Zeitung , December 10, 1994. (ill.)

Herbstreuth, Peter. "Banalitaten des alltags", Der Tagesspiegel , Kunst & Markt, July 15, 1995: p. 21.

Herold, Thea. "Benjamin in der Mulackei". Der Tagesspiegel, Feuilleton, July 8, 1992, p. 15.

Hertin, Katja. "Riviera oder Supermarkt". Der Tagesspiegel, December 11, 1995, p. 12. (ill.)

Hess, Barbara. "artists & Photographs: Künstburo". Camera Austria International , Nos. 59/60, November, 1997, pp. 136-7. (ill.)

Hess, Barbara. "Ein Amerikanisches Trauerspeil". Texte zur Kunst, Vol. _, No. _: pp. 224-226. (ill.)

Hofmann, Isabelle. "Welt in Braun: John Miller über Kitsch und Kunst". Kunstzeitung , No. 41, January 2000, p. 20 (ill.)

Hoffmann, Justin. "Suture -- Phantasmen der vollkommenheit". Kunstforum International , Vol. 127, July-September 1994: pp. 315-318. (ill.)

Hüble, Michael. "Mit Einem Schuss Ironie: Malerien des US-amerikanischen KÜnstlers John Miller bei Meyer Riegger," Badische Neueste Nachrichten, Kultur in Karlsruhe, October 7, 2016: p. 26 (ill.)

Hüster, Ü. "Mann sucht Frau sucht Mann, Sesselsoziologe: John Miller in der Berliner Galerie BarbaraWeiss". Frankfurter Allgemeine Zeitung , August 4, 2001, p. 54.  (ill.)

Hüster, Ü. "Mittags ist die Kunstwelt nicht mehr in Ordnung: Berliner Galerien zeigen arbeiten von John Miller, Manfred Kuttner und jungen abstrakten Malern." Frankfurter allgemeine Zeitung , August 6, 2005, p. 46.  (ill.)

J. M., "Galerie Barbara Weiss, 12 Uhr mittags: Mahlzeit, oder?" TAZ-Berlin , July 6, 2005, p. 28. (ill.)

Jahn, Wolf. "Besonderer Stoff: John Miller im Kunstverein". Szene Hamburg, December 1999. (ill.)

Jahn, Wolf. "Sigmund Freud m Wilden Westen". Die Museen, Beilage des Hamburger abendblatts , December 1999 - March 2000 (ill.)

Joseph, Branden W." Informationsavatare,". Texte zur Kunst , Vol. 16, No. 64 (December 2006): pp. 196-200. (ill.)

Kappeler, Suzanne.  “Visuelle Schlagkraft and feinsinnige Performances,” Neuer Zürcher Zeitung, No. 201, September 1, 2009: 49. (ill.); NZZ Online, September 2, 2009.

Koether, Jutta. "John Miller in New York". Texte zur Kunst, No. 2, (Spring 1991): 169-70. (ill.)

Koether, Jutta. "Art as Americana! Americana as Art!" Spex, No. 5 (May 1999): pp. 50-51. (ill.)

Koniger, Maribel. "Le Bon, la Brute et le Truand...". Kunstforum International , No. 123: 374-5. (ill.)

Kravagna, Christian. "Phantasmen der Vollkommenheit: Suture - im Salzburger Kunstverein". Texte zur Kunst , Vol. 4, No. 15: 204-207. (ill.)

Kreis, Elfi. "Ausflug in die Privatsphare". Der Tagespiegel, No. 14995, August 8, 1994, p. 10.

Krone, Lothar. "Immer neue Normalitäten". Märkische Allgemeine Zeitung , February 13, 2002. (ill.)

Lippold, Britta. "Millers schräger Blick auf Kunst," Hamburger Morgenpost , December 4, 1999. (ill.)

Mania, Astrid. "Pingpong mit Bedeutung". Süddeutsche Zeitung, September 18, 2015 (ill.): http://www.sueddeutsche.de/kultur/messe-pingpong-mit-bedeutung-1.2653387?reduced=true (accessed September 22, 2015).

Molesworth, Helen. "Wie Man Scheisse von Schuhcreme Unterscheidet". Texte zur Kunst , No. 12 (November 1993): 152-156.

Laudenbach, Peter. "Texte in Bewegung". Die Tageszeitung, Berlin-Kultur, July 10, 1992, p. 23.

von Lovenberg, Felicitas. "Ohne anlass symmetrisch lächeln: auch wenn die Kunst pubertiert: Das vierte Berliner Art forum sucht sein Heil in der jüngsten Kunst," Frankfurter Allgemeine Zeitung,, October 2, 1999: p. 53.

Meier, Philipp. "Gegenwartskunst beim Checkpoint Charlie: Berlins Galerienszene im Wandel". Neue Zürcher Zeitung , June 21-22, 2001, p. 59.

Meinhardt, Johannes. "Eine gute Ausrede". Kunstforum International, No. 146 (Juli - August, 1999): pp.405-406.

Melchart, Erwin. "Originelle Michung". Neue Kronen Zeitung, January 20, 2005, p. __. (ill.)

Menz, Marguerite.  "John Miller und Noritoshi Hirakawa bei Art & Public".  Kunstbulletin , No. 1 (2001).

Messler, Norbert. "John Miller: Isabella Kacprzak, Koln". Noema No. 29, March/April 1990: 106. (ill.)

Metzger, Rainer.  "In der Steiermark blüht wieder die Kunst".  Frankfurter Algemeine Zeitung, Kunstmarkt , April 25, 1998, No.  96, p.  42.  (ill.)

Metzger, Rainer. "Besuch bei Adam und Eva". www.artmagazine.at, November, 29, 2002 (ill.)

Mühling, Matthias.  "Die Groben Unterschiede: Aggregatzustände von Sprache: Miller, GrahAm und Lum," Der Tagesspiegel , July 21, 2001: 24.

Nedo, Kito.  “Die Moderne ist eine Höhle”.  Zitty Berlin, 33. Jahrgang, July 2-15, 2009: 100. (ill.)

Niegelhell, Franz.  "Der Wilde Westen und seine Mythen".  Neue Zeit, Kultur, April 3, 1998, p.  51.  (ill.)

Nievoll, Maria.  "Von Cowboys und Ringelblumen".  Der Standard , April 26-27, 1998, p. _.  (ill)

Nobis, Beatrix. "Sudelei mit Eigengift". Suddeutsche Zeitung, No. 168, July 24-25, 1993, p. 18.

Pabinger, Daniele. "Ewig lockt die Perfektion". Salzburger V. Zeitung , April 21, 1994, p. 21. (ill.)

Paetzeit.  "Temporary Translation(s)". Prinz , December 1994. (ill.)

Pape, Dieter and Valentin Rothmaler. "Sommerausstellung im Schloss Plon". Ascheberger Nachrichten , July 2, 1992, p. __.

Pfeiffer, Götz J. "Sonnenfinsternis zur Mittagszeit". Potsdamer Neueste Nichrichten , February 13, 2002.

Prill, Sandra. "Der Kunstler als Busfahrer: Eine tour de Kultur durch das Labyrinth der Moderne".Hamburger Morgenpost , January 26, 1995: p. 9. (ill.)

Puvogel, Renate. "Sammlerportrats: Wilhelm Schurmann -- Dauer im Wechsel". Artis (June 1992): 40-45. (ill.)

Puvogel, Renate. "Kein Platz in Bremen". Kunstforum International , Vol. 126, March-June 1994: pp. 434-5.

Puvogel, Renate. "John Miller – 'Pillars of Salt'", Kunstforum International , Vol. 147, September-October 1999: pp. 359-360. (ill.)

Quappe, Andreas. "'Queer'-avantgarde engagiert sich fur viele," Markische Oderzeitung , December 30, 1992, p. __.

Reichert, Kolja. "Die Messe als Mitte des Netzwerks". Frankfurter Allgemeine Zeitung, September 19, 2015 (ill.): http://www.faz.net/aktuell/feuilleton/kunstmarkt/berlin-art-week-die-messe-als-mitte-des-netzwerks-13811184.html?printPagedArticle=true#pageIndex_2 (accessed September 22, 2015).

Reissner, Katja.  "Gutaussehende Viehzüchter".  Der Tagesspiegel , September 14, 1996, p.  28.

Reski, Gunnar. "Wo War Kunst?". De: Bug, Elektronische Lebensaspekte, No. 50, August 2001: p. 33.

Schock, Axel. "Kultur-Schock". Siegessaule, January, 1993, p. 14.

Schlocker, Edith. "Sehr Amerikanisch: Richard Hoeck und John Miller bei Johann Widauer". Tiroler Tageszeitung , September 10, 1999, p. 8. (ill.)

Schwartz, Sophie. "John Miller in Koln". Miss Vogue, No. __ (February 1990): __. (ill.)

Schwarze, Dirk. "Wiegeschritt als Bewegungsmuster". HNA , No. 121, May 26, 1993, p. 15.

Schiff, Hajo. "Kloburstenkatzen un Konzept,". Die Tageszeitung, May 5, 1998, p. 26. (ill.)

Schreiber, Daniel. “Scheißkapitalismus,” Die Tageszeitung, September 19-20, p. 31 (ill.) and  taz.de
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Schreiber, Daniel. “Unter der Oberfläche brodelt es braun: John Miller in der Kunsthalle Zurich,” monopol (September 2009): 122. (ill.)

Szczesniak, Paulina. “John Miller in der Kunsthalle”. Tages-Anzeiger, September 9, 2009, p. 47. (ill.)

Szczesniak, Paulina.  “Der Sich in der Rolle des Provokatuers Gefällt”.  Zürichtripp, Online-Ausgabe, September 2009. (ill.)

Sedlarz, Claudia. "John Miller und die wilde Mimesis". Texte zur Kunst , No. 6 (Fall 1992): 170-3. (ill.)

Siepen, Nicolas. "Sagen Sie bitte Ihre Meinung, Kunst also Felforschung: Der Americanische Künstler John

Spatzek, Sabine. "Fotos und hintersinnig-ironische Skulpturen," Lübecter Nachrichten, July 18, 2014, p. 15.

Spatzek, Sabine. "Allägliches zur Mittagszeit," Kieler Nachrichten, July 21, 2014, p. 13.

Miller in der Galerie Barbara Weiss". Frankfurter Allgemeine Zeitung, Berliner Seiten, July 31, 2001, p. 3.

Spiegler, Almuth. "Baggern im EU-Erlebnispark". Die Presse, January 22, 2005, p. 37. (ill.)

Suhr, Constanze. "Die Kunst, einen Hut zu tragen: avantgarde mit brauner Farbe: John Miller macht nicht nur Kunst, er schreibt auch drüber," Der Tagesspiegel, No. 16,800, September 1, 1999.

Stals, Jose Lebrero. "John Miller". Lapiz , No. 66 (March 1990): 65. (ill.)

Stange, Raimar. "Der Bauchtänzerin: Richard Hoeck," Spike Art Quarterly , No. 3 (Spring 2005): 73-78. (ill.)

Stremmel, Kerstin. "Fragwürdige Selbstbilder". Stadt Revue, Köln Magazin, February 2003: 78. (ill.)

Thuswaldner, Werner. "Kunstler geben anstosse zu weitreichenden Reflexionen". Salzburger Nachrichten , April 22, 1994, p. 8 (ill.)

Thylmann, Esther. "Kunstvermittlung: A New Spirit?". Zyma , No. 2 (March/April 1992): 22-27.

Tietenberg, Annette. "Das Ende der Salami: der Object-Kunstler John Miller". Der Tagesspiegel , April 24, 1992, p. 14. (ill.)

Titz, Walter. "Kunstkritik: Die ertragliche Leichtigkeit des Schreibens". Kleine Zeitung ,  July 29, 1990, p. 3. (ill.)

Uwe, Jorg. "Die Tücken der Sublimation".  Texte zur Kunst , Vol. 16, No. 64 (December 2006): pp. 173-75.

Vogel, Sabine. "Sterbliche Hullen in der Bildlegende eines Aufklarungsbuches".  Der Tagesspiegel , December 12, 1992, p. 22.

Volkart, Yvonne.  "John Miller, Karlsruhe, Berlin".  Springer , December 1996 - February 1997: pp.  69-70. (ill.)

Wallner, U.K. "Die gleichzeitigkeit des Ungleichen". Zitty Stadtszeitung , February  1995, p. 208. (ill.)

Weiland, Florian. “Die Spurensucher”. Artline, Kunstmagazin, September 24, 2009. (ill.), p. 21

Weinrautner, Ina. "Gnadenlos gemütlich eingerichtet: Sommerausstellungen in Berliner Galerien". Handelsblatt , July 18, 2001, p. 39.

Weissmüller, Laura. "Pausenfüller". Der Tagesspiegel, August 13, 2005, p. __.

Wettig, Christiane. "Zu Salzsäulen erstarrte Dauerfernsehzuschauer," Die Welt , December 4, 1999. (ill.)

Wieder, Axel John. "Süßer Boy, 22, Dauerlutscher: Die Kunst der Kontaktanzeige: John Miller in der Galerie Barbara Weiss,"  Zitty Illustrierte Stadtzeitung , Vol. 24, No. 16 (July 28 - August 8, 2001): p. 46.

Wulffen, Thomas. "Kunst in der Mittagspause," Zitty Illustrierte Stadtzeitung , Vol. 18, No. 12: p. 27.

Ziegler, Ulf Erdmann. "Etwas von holer Lusteinheit". Der Tageszeitung , December 24, 1992, pp. 14-15.

_____. "Eine der bedeutendsten ausstellungen im Lande".  Ostholsteiner Anzeiger, June 23, 1992, p. __.

_____. "Eine Konzentrat der Gegenwart". Hamburger Abendblatt, December 10, 1994. (ill.)

_____. "Klassische Verdrangung". Der Spiegel, No. 34, October 22, 1994: p. 169.

_____. "'Kunst der Gegenwart' im Ploner Schloss". Schaufenster Actuell , July 2, 1992, p. ___. (ill.)

_____. "Kunst mit Beziehung zum Schloss". Kieler Nachrichtungen , June 29, 1992, p. 27. (ill.)

_____.  "Kunst-Tip".  Prinz Berlin, September 1996, p.  106 (ill.)

_____. "Kunst mit Widerhaken". Kieler Nachrichtungen, June 1, 1992, p. ___.

_____. "Plon Standort moderner Kunst". Ostholsteiner Anzeiger , June 29, 1992, p. 5. (ill.)

_____. Rogue , No. 20 (June 1993): 19. (ill.)

_____. "'temporary translation(s):' Die Sammlung Schurmann in den Deichtorhallen". Hamburger Abendblatt , December 10, 1994. (ill.)

_____. "Schöner stürzen". Tiroler Tageszeitung, January 26, 2016. (ill.): http://www.tt.com/kultur/kunst/11039648-91/sch%C3%B6ner-st%C3%BCrzen.csp?tab=article (accessed January 27, 2016).

_____. (H.L.) "Vollkommenheit". Salzburg Krone, May 30, 1994. (ill.)

_____. (O.C.) "Was siche heute Sammeln lasst". Luneburger, December 14, 1994. (ill.)

_____. "Wilhelm Schurmann: Kunst der Gegenwart und Fotographie". Photonews , December 1994, p. 18. (ill.)

_____. (HAH.) "Kunstverein in Hamburg: "'trade marks'". Kieler Nachrichtetn , May 13, 1998, p. 26.

_____. "Kunstverein: Doppelausstellung zur Triennale," Die Welt, June 25, 1999, p. ___.

_____. Toolpub , Weiner Issue 2001, p. 17. (ill.)

_____. "Doppelausstellung zur Fototriennale," Pinneberger Tageblatt, June 25, 1999, p. ___.

_____. "Krabbelnde Leidenschaft," Der Spiegel, No. 41, October 11, 1999, p. 326. (ill.)

_____. "Das Heulen der Präriehunde: John Miller über die Mediengesellschaft," Frankfurter Rundschau (ill.)

_____. "John Miller: Parallel Economies" Hamburger Rundschau, December 2, 1999. (ill.)

_____. "Zu Salzsäulen erstarrt: Konsumkritisches von John Miller im Kunstverein," Hamburger Abendblatt, December 4-5, 1999.

_____. "Der Mensch erstarrt in seinem eigenem Abfall: John-Miller-Retrospektive im Hamburger Kunstverein," Hamburger Abendblatt , December 7, 1999. (ill.)

_____. "Grenzenlos kulturell". Die Furche , April 7, 2005, p. __.

_____. “Retrospektive”. Neue Zuricher Zeitung NZZ, September 7, 2009, p. 28.

_____. “Zurich: Kunsthalle Zurich, John Miller”. art news 2009, Deutsche Bank, No. 2. (ill.)

_____. “Bildende Kunst John Miller in der Kunsthalle Zurich”. SDA/Schweize, Depeschenagentur, August 25,
            2009, p. 86.

_____. “John Miller: Fleissiges Bienchen mit Humor”. News, August 27, 2009, p. 22.

_____. “Kunsthalle Zurich Offers A Survey of John Miller’s Work from 1983 to 2009”. artdaily.org, August 8,
            2009.

_____. “Der Künstler John Miller verwandelt Dreck in Gold”. artinfo.com, September 2, 2009.

_____. “John Miller und Marcus Coates”. fotograpfischer gestlaterInnen, August 26, 2009.

_____. “Kunsthalle Zürich”. Tages-Anzeiger, November 11, 2009, p. 25.

 

 

(French language)

Aeschlimann, Jean-Christophe.  "A photographie contemporaine dans tous ses états".  Le Nouveau Quotidien, October 11, 1996.  (ill.)

Arkhipoff, Elisabeth. "John Miller," Le Nouvel Observateur, August 1999: p. 73. (ill.)

Bethemont, Hauviette. "Uncurieux tandem à Grenoble," Libération, édition Rhône-Alpes, June 24, 1999: p. 40. (ill.)

Bourriard, Nicolas. "/La position secondaire de l'art". Art Press , No. 180, May 1993: pp. 33-37. (ill.)

Bovier, Lionel and Cherix, Christophe.  "John Miller: 19-29 novembre, par e-mail, New York - Genève".

Documents sur l'art , No.  10,  Winter 96/97: 118-122.  (ill.)

Bovier, Lionel.  "John Miller: A Retrospective – Rules of the Game, an Interview with John Miller," Mag, Journal a'Art Contemporain , October 1999: 1-4. (ill.)

de Brugerolle, Marie. "John Miller: 'Encore de la merde?'", Beaux Arts, August 1999: p. 14. (ill.)

D. E.  "Le livre d'artiste n'est pas forcément un livre cher".  Tribune de Genéve , October 5-6, 1996, p.  38.

Dupon, Véronique. "Game Show," Numéro , June 1999: p. 35. (ill.)

Gasparina, Jill. "La Disposition du Hazard: Libre?" Magazine Palais, No. 16, September 2012: pp. 17- 18. (ill.)

Gignoux, Sabine. "L'amérique désenchantée de John Miller," La Croix, June 29, 1999: p. 17.

Girault, Marie. "L'amérique désabusée de Miller," L'Express, No. 2506, July 15, 1999: p. 38. (ill.)

Grandjean, Emmanual. "Ma Semaine expos," La Tribune de Genève, June 5, 1999: p. 14. (ill.)

Hahn, Clarissa. "Le Bon, la Brute et le Truand". Art Press (September 1993): 89. (ill.)

Janin, Dorothée.  "Des Images Qui Explorent Ce Qui N'a Pas de Sens".  Beaux-arts Magazine, No.  149, October, 1996, p.  42.

Kayser, Lucien. "Carnet culturel". d' Letzeburgerland, No. 18, May 6, 1994. (ill.)

Koniger, Maribel. "Le Bon, la Brut et le Truand". Kunstforum International , No. 123.

Pagneux, Jean. "Jim Issermann et John Miller au Magasin," Le Travailleur Alpin , No. 72, July 1999: p. 15. (ill.)

Pallini, Stéphanie.  "autocritique de la photographie Au Cabinet des estampes de Genève".  Journal de Genève , October 26, 1996, p.  9.

Perrard, Sylvie. "Miller et Isermann, deux viages de l'amérique," June 8, 1999: p. 6.

Piron, François, "çme et géométrie," Mouvement , June-September, 1999: p. 126. (ill.)

Poy, Cyrille. "Les Economies paralléles de John Miller," L'Humanité Hebdo , July 17, 1999: p. 36. (ill.)

Quaroni, Grazia. "Michael Jenkins and John Miller". Documents, No. 5 (February 1994): 29-32. (ill.)

Régnier, Philippe. "Ramener la vie dans les musées. Rhône-alpes met en exergue l'art due Xxe sièle," Le Journal des Arts, July 2, 1999: p. 25. (ill.)

Sausset, Damien. "John Miller, Artiste et critique," L'Oeil, July-August, 1999: p. 40. (ill.)

Schmitt, Paul. "Empire State." Pixel Création 16 January 2014. Web (http://www.pixelcreation.fr/graphismeart-design/art/empire-state/)

Valliant, Alexis. "Entre midi et deux". Kunst Bulletin, Juni 1999: pp. 32-33. (ill.)

Yan, C. "Boys band: John Miller & Jim Isermann," Jalouse, July-August, 1999: p. 16. (ill.)

____. "New York sur périph'." ARTRAVEL February-March 2014: 27. (ill.)

____. "Explorer le mythe new-yorkais." Stylist 30 January 2014: 47. (ill.)

____. "Empire Sate of Mind: Talk Chez Thaddaeus Ropac." AMA Newsletter 135 16 January 2014: 22-23. (ill.)

____. Art Press , June 1999, p. 10. (ill.)

____. Les Journal des Arts , May 28, 1999, p. 7.

____. Intercours , Université Pierre-Mendès-France, May 25, 1999, p. 2.

____. Tribeca75 . May-June 1999, p. 10.

_____. self service , September 30, 1999, unpaginated. (ill.)

_____. Parpaings , No. 3, May 1999: p. 34. (ill.)

_____. Le Courrier des métiers d'art , June 1999: p. 38. (ill.)

_____. Les Nouvelles de Grenoble , June 1999: p. 34. (ill.)

_____. Vogue , June-July 1999: p. 32.

_____. Le Carnet des Arts Plastiques , No. 16, 1999: p. 22. (ill.)

_____.  "American Way of Life," Isère Magazine , No. 6, July 1999: p. 28.

_____. Notre Temps , July 1999: p. 61.

_____. Le Figaro Rhône-alpes , July 3, 1999: p. 56. (ill.)

_____. "Les chaleurs Artistiques de notre été," Le Petites Affiches Lyonnaise , July 7, 1999: pp. 10-11. (ill.)

_____. Art Actuel , July-auguest, 1999: p. 3, 21. (ill.)

_____. Les Nouvelles de Grenoble , July-August, 1999: pp. 8, 10.

 

 

(other languages)

Almansi, Guido. "Cloaca Art: Il Sublime della volgarita". Il Venerdi , August 12, 1994, pp. 78-9. (ill.)

Murin, Michal. "Ex-Ex-Ex-Ex-Ex-Ex". Profil, Nos. 18-19 (October 1992): 4-5. (ill.)

Samulsen, Geir Harald.  "Kunsten Ã¥ strø," Morgenbladet , Nr.  14, April 18, 1997: p.  11.

Serk, Peter.  "Kaos I system," Klassekampen, May 21, 1997: p.  10.  (ill.)

Spector, Nancy. "Wiecej Gownianej Sztuki," trans. (Polish) Ewa Gorzadek, Obieg, Nos. 38-40 (June - August,